1986

I become interested in the interface between performance and photography. I work with artist/theorist Emily Hicks on a series of performances titled Documented/ Undocumented, playing on the double meaning of the terms vis-à-vis immigration status and as an art piece. The performances are staged for the camera and documented in photojournalistic style. My interest in what I term "photo-performance" will continue until the present day.

directional
*Radio Free Pocha